Researcher, sound artist, curator, dj and theorist of culture.
Since the early nineties he’s been involved in experimental music scene of Poland. The founder of many bands (Spear, Ben Zen, Aural Treat, Sub Spa, Quantum Vacuum Oscillator, Nonstate, Moist Hardware). He works in the field of sound art, performance, interactive installations and video art. In his solo performances he critically explores limial territory between physical activity of the body and invisible electromagnetic infrastructure of the hybrid space. He uses custom designed sound devices as well as digital and analogue electronics. In 2024, his next solo album entitled "Unheimliche Symmetrie" (Requiem Records) will be released, as well as a series of 10 albums entitled "Live_Matter" with concert recordings from recent years (Wrocław Industrial Festiwal 2020, Sanatorium of Sound Sokołowsko 2023, Digital Art Festival/Conference Gdańsk 2022, Zine Fest Łódź 2023, as well as gigs from Nantes 2018, Tokyo 2018, Chicago 2019, Berlin 2019, London 2019 and Riga 2018) released by the newly opened Łódź label Alt.Tru, which he runs together with the duo Distort Visual (alttru.bandcamp.com).
Curator and organiser of L’tronica Festival for Electronic Music and Art. Curator of Perform_Tech program at Art Factory in Łódź. Curator and co-curator of numerous events such as (i.a.): four editions of the exhibition "Die Kunst Ist Toth", concerts by Coil, Noise Makers Fifes, Column One, Troum, Xaviere Charles, Z’ev, Zbigniew Karkowski, Aube, Tetsuo Furudate, Asmus Tietchens, Kasper T. Toeplitz, Marco Donnarumma, Ryan Jordan, Gil Kuno and many others. Between 1998-2002 he ran a record label Ignis Project dedicated to electronic and electroacoustic music. Ignis released records by: Francisco Lopez, Ultra Milkmaids, Vance Orchestra, Indra Karmuka, Crawl Unit, Origami Arktika, Chaos As Shelter, EA and Spear. Associate professor at the Institute of Contemporary Culture, Department of New Media and Digital Culture, University of Łódź (Poland). His academic research focuses on interactive art, tactical media, bio art, network society, surveillance studies and posthumanism. He has published a number of articles on aesthetics of interactive art, history and theory of avant-garde film, video art and experimental music. His book Life in a silicon cage. New Media Art. as a Critical Analysis of Digital Surveillance (in polish) was published in 2018 by Lodz University Press.
